skip to main content
Close Icon We use cookies to improve your website experience.  To learn about our use of cookies and how you can manage your cookie settings, please see our Cookie Policy.  By continuing to use the website, you consent to our use of cookies.
Global Search Configuration


Over the course of a few days, developments in the music subscription sector have illustrated both the potential of music access services and the problems faced in convincing some in the recorded music industry that their future is in safe hands.


  • Earlier this year, the IFPI estimated that 41 million people around the world had signed up to a music subscription service by the end of 2014, up from 28 million at the end of 2013, and just eight million in 2010.

Features and Benefits

  • The research note details a week in music streaming that has illustrated how big the sector could become but also the problems that need solving.
  • The research note looks at artist complaints over royalty rates, accusations of missing royalties, and why the barriers to growth may be of the music industry's own making.

Key questions answered

  • Is James Blunt right to complain about low rates payable by Spotify?
  • What is the root cause and solution to the disagreement between Victory Records and Spotify?

Table of contents

Ovum view

  • Summary
  • The pleasure and pain of music access services
  • Measuring music subscription service success
  • More complex measure of service success


  • Author

Recommended Articles


Have any questions? Speak to a Specialist

Europe, Middle East & Africa team - +44 (0) 207 017 7700

Asia-Pacific team - +61 (0)3 960 16700

US team - +1 646 957 8878

Email us at

You can also contact your named/allocated Client Services Executive using their direct dial.
PR enquiries - Call us at +44 788 597 5160 or email us at

Contact marketing -

Already an Ovum client? Login to the Knowledge Center now